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Art and copyright / (Record no. 30597)

MARC details
000 -LEADER
fixed length control field 05163cam a2200361 a 4500
001 - CONTROL NUMBER
control field 17358346
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20210619115408.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 120622s2012 enk b 001 0 eng c
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2012418117
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781849461627 (pbk)
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1849461627 (pbk)
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)ocn781574606
040 ## - CATALOGING SOURCE
Original cataloging agency AU@
Language of cataloging eng
Transcribing agency AU@
Modifying agency UAB
-- NDL
-- YDXCP
-- CDX
-- BWK
-- DLC
042 ## - AUTHENTICATION CODE
Authentication code pcc
043 ## - GEOGRAPHIC AREA CODE
Geographic area code e-uk---
050 00 - LIBRARY OF CONGRESS CALL NUMBER
Classification number KD1320
Item number .S76 2012
055 #8 - CLASSIFICATION NUMBERS ASSIGNED IN CANADA
Classification number KF3050
Item number .S76 2012
Source of call/class number kfmod
084 ## - OTHER CLASSIFICATION NUMBER
Classification number N112.2.A1
Number source moys
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Stokes, Simon,
Dates associated with a name 1963-
245 10 - TITLE STATEMENT
Title Art and copyright /
Statement of responsibility, etc. Simon Stokes.
250 ## - EDITION STATEMENT
Edition statement 2nd ed.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. Oxford ;
-- Portland, Or. :
Name of publisher, distributor, etc. Hart Pub.,
Date of publication, distribution, etc. 2012.
300 ## - PHYSICAL DESCRIPTION
Extent xliv, 261 p. ;
Dimensions 22 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc. note Includes bibliographical references (p. [xv]-xxii) and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Table Of Contents:<br/>1. Introduction<br/>1.1. Background and Scope<br/>1.2. Copyright and Art<br/>2. The Copyright System: Justification and History<br/>2.1. Introduction<br/>2.2. Justifications for Copyright<br/>2.3. The History of Copyright<br/>3. The Modern Law of Copyright<br/>3.1. Background<br/>3.2. UK Law<br/>4. Moral Rights and Artist's Resale Right (Droit de Suite)<br/>4.1. Moral Rights<br/>4.2. Implications of Moral Rights and some UK Cases<br/>4.3. Performers' Moral Rights and Performance Works<br/>4.4. Moral Rights in the United States<br/>4.5. Artist's Resale Right (Droit de Suite)<br/>5. Art, Technology and the Internet: Copyright, Related Rights and Digitisation<br/>5.1. Copyright in Digital and Digitised Works<br/>5.2. Copyright, Artificial Intelligence (AI) and Computer-Generated Works<br/>5.3. Copying and the Internet<br/>5.4. Transmission Right/Communication to the Public Right<br/>5.5. Publication Right<br/>5.6. Database Right and Art (and Art Market) Databases<br/>5.7. Implications of Moral Rights for the Digital Environment<br/>5.8. Blockchain, Art and Copyright Management<br/>5.9. Art, Copyright Legislation and the Digital Future<br/>6. Some Current Issues<br/>6.1. Copyright in Photographs of Public Domain Artistic Works<br/>6.2. Copyright and Visual Search Engines: Fair Use and Fair Dealing in the Online Environment<br/>6.3. Image Sharing, User-Generated Works and Online Artistic Collaboration<br/>6.4. Modern and Contemporary Art and Copyright (Including Film, Video and Performances)<br/>6.5. Orphan Works<br/>6.6. Art, Originality, Infringement and the Development of EU Copyright Law<br/>6.7. Brexit and UK Copyright Law Relating to Artistic Works<br/>6.8. Freedom of Panorama<br/>6.9. Traditional Cultural Expressions, Intangible Cultural Heritage and Copyright<br/>7. Some Practical Issues and Precedents<br/>7.1. Collecting Societies/Collective Management Organisations (CMOs)<br/>7.2. Copyright in the Context of Art Loans<br/>7.3. Copyright and Setting Up a Website, Online Viewing Room and Using Instagram: Acquiring and Using Image Rights<br/>7.4. The Use of Images in Art Books: The Limits of Fair Dealing<br/>7.5. Transferring/Acquiring Copyright in Artistic Works: Commissioned Art Works and Moral Rights Waivers<br/>7.6. Licensing Artistic Works and Creative Commons<br/>7.7. Artist's Resale Right (ARR) in the United Kingdom: Practical Guidance<br/>7.8. Copyright, Moral Rights and ARR Following the Death of the Artist<br/>7.9. Copyright, Moral Rights and ARR Where the Artist is an Employee or Company Director<br/>8. Art and Intellectual Property Rights Other than Copyright<br/>8.1. Breach of Confidence<br/>8.2. Passing Off<br/>8.3. Trade Marks<br/>8.4. Domain Names<br/>8.5. Privacy and Publicity Rights<br/>8.6. Copyright and Freedom of Expression<br/>9. Conclusion<br/>9.1. Categories of 'Art' and the Subsistence of Copyright<br/>9.2. Appropriating the Public Domain: Idea Versus Expression<br/>9.3. Art, Technology and the Future.
520 ## - SUMMARY, ETC.
Summary, etc. In recent years the intellectual property protection afforded to works of art has received increased attention from artists, museums, galleries, auction houses, publishers and their professional staff and legal advisers, as well as from those teaching or studying copyright and/or the law of cultural property. This was the first text to examine in detail the intellectual property rights protecting artistic works and artists' rights generally in the United Kingdom. First published in 2001, 'Art and Copyright' has established itself as a leading text in the field. Now revised and updated, the second edition includes expanded coverage of Artist's Resale Right and the relationship between designs law and artistic works, as well as greater coverage of new media and art, and digital developments generally. It also includes additional precedent materials and checklists. It remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners and all those interested in how the law protects artistic works.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Copyright
General subdivision Art
Geographic subdivision Great Britain.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Internet
General subdivision Law and legislation
Geographic subdivision Great Britain.
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN)
a 7
b cbc
c pccadap
d 2
e ncip
f 20
g y-gencatlg
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Koha item type BOOKs
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Full call number Barcode Date last seen Date last checked out Price effective from Koha item type
    Dewey Decimal Classification     National Law School National Law School CIPRA Section 30.05.2017 6398.00 1 346.0482 STO 27922 23.03.2023 18.03.2023 30.05.2017 BOOKs