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Performers' rights / by Richard Arnold.

By: Publisher: London : Sweet & Maxwell : Thomson Reuters, 2015Edition: Fifth editionDescription: lxxxii, 645 pages ; 24 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780414038783 (hbk.)
Subject(s): DDC classification:
  • 346.048 ARN
LOC classification:
  • KD1305.3 .A76 2015
Contents:
Contents: The Evolution of Performers’ Rights in the UK; Introduction The rationale for protecting performers Copyright and neighbouring (related) rights Historical review Subsistence and Duration Subsistence of performers’ rights Subsistence of recording rights Duration of performers’ rights and recording rights Ownership, Licensing, Equitable Remuneration and the Copyright Tribunal; First ownership Transmission of performers’ rights Transmission of recording rights Joint ownership Licences Compulsory licensing Rights to equitable remuneration Collective licensing and the Copyright Tribunal Infringement; Infringement of performers’ rights Infringement of recording rights Knowledge or reason for belief Territoriality Permitted Acts and Defences Permitted acts Defences Proceedings; Who may sue? Who may be sued? Venue Remedies Interim relief Moral rights Right to be identified as performer Right to object to derogatory treatment Duration of moral rights Consent and waiver Transmission of rights Proceedings for infringement Remedies for infringement Criminal Law Principal offences Additional offences Inchoate offences Mens rea Defences Enforcement Search warrants Penalties Performers’ Contracts Assignments of performers’ property rights Licences of performers’ rights (consents) Enforcement of performers’ contracts Other Forms of Protection for Performers Copyright: performers as authors Basic requirements Copyright in sound recordings and films Copyright in sets, costumes and props Passing off Breach of confidence, invasion of privacy and the right to control the use of one’s image Defamation Performers’ Rights in Other Countries Summary of performers’ rights under the Rome Convention Summary of performers’ rights under TRIP's Summary of performers’ rights under the WIPO Performances and Phonograms Treaty Table of countries Particular countries Appendix 1 Copyright, Designs and Patents Act 1988, Part II and Schedules 2 and 2A (as amended) Appendix 2 Copyright Tribunal Rules 1989 (as amended): rules 1-2, 34-37, 42-55, Schedule 3 Form 14 Copyright and Rights in Performances (Notice of Seizure) Order 1989 Duration of Copyright and Rights in Performances Regulations 1995, regulations 1-4, 27-36 Copyright and Related Rights Regulations 1996, regulations 1-4, 25-27, 30-34 Copyright and Related Rights Regulations 2003, regulations 1-3, 30-35, 40 Performances (Moral Rights etc) Regulations 2006, regulations 1-3, 8 Intellectual Property (Enforcement) Regulations 2006, regulations 1-3 Copyright and Performances (Application to Other Countries) Order 2008, articles 1, 6-7, Schedule Appendix 3 Council Directive 93/83/EEC, recitals (1)-(29), Articles 1-4, 6, 8-10 Council and Parliament Directive 2001/29/EC, recitals (1)-(45), (58)-(61), Articles 1-5, 8-12 Council and Parliament Directive 2004/48/EC, recitals (1)-(27), (32), Articles 1-15 Council and Parliament Directive 2006/115/EC, recitals (1)-(13), (15)-(17), Articles 1-3, 5, 7-12 Council and Parliament Directive 2006/116/EC, recitals (1)-(12), (15), (17), (19), (22)-(25), Articles 3, 7-10 Appendix 4 Rome Convention 1961, Articles 1-9, 11-12, 14-22, 33 TRIP's: preamble, Articles 1-8, 14, 70-72 WIPO Performances and Phonograms Treaty, preamble, Articles 1-10, 15-23, 32, Addenda EC Treaty: Articles 12, 28-30, 81-82 EEA Agreement: Article 1, Protocol 28, Articles 1, 2, 5
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Holdings
Item type Current library Collection Shelving location Call number Status Date due Barcode
BOOKs BOOKs National Law School Reference CIPRA Section 346.048 ARN (Browse shelf(Opens below)) Not For Loan 36248

Includes bibliographical references and index.

Contents:
The Evolution of Performers’ Rights in the UK;
Introduction
The rationale for protecting performers
Copyright and neighbouring (related) rights
Historical review
Subsistence and Duration
Subsistence of performers’ rights
Subsistence of recording rights
Duration of performers’ rights and recording rights
Ownership, Licensing, Equitable Remuneration and the Copyright Tribunal;
First ownership
Transmission of performers’ rights
Transmission of recording rights
Joint ownership
Licences
Compulsory licensing
Rights to equitable remuneration
Collective licensing and the Copyright Tribunal
Infringement;
Infringement of performers’ rights
Infringement of recording rights
Knowledge or reason for belief
Territoriality
Permitted Acts and Defences
Permitted acts
Defences
Proceedings;
Who may sue?
Who may be sued?
Venue
Remedies
Interim relief
Moral rights
Right to be identified as performer
Right to object to derogatory treatment
Duration of moral rights
Consent and waiver
Transmission of rights
Proceedings for infringement
Remedies for infringement
Criminal Law
Principal offences
Additional offences
Inchoate offences
Mens rea
Defences
Enforcement
Search warrants
Penalties
Performers’ Contracts
Assignments of performers’ property rights
Licences of performers’ rights (consents)
Enforcement of performers’ contracts
Other Forms of Protection for Performers
Copyright: performers as authors
Basic requirements
Copyright in sound recordings and films
Copyright in sets, costumes and props
Passing off
Breach of confidence, invasion of privacy and the right to control the use of one’s image
Defamation
Performers’ Rights in Other Countries
Summary of performers’ rights under the Rome Convention
Summary of performers’ rights under TRIP's
Summary of performers’ rights under the WIPO Performances and Phonograms Treaty
Table of countries
Particular countries
Appendix 1
Copyright, Designs and Patents Act 1988, Part II and Schedules 2 and 2A (as amended)
Appendix 2
Copyright Tribunal Rules 1989 (as amended): rules 1-2, 34-37, 42-55, Schedule 3 Form 14
Copyright and Rights in Performances (Notice of Seizure) Order 1989
Duration of Copyright and Rights in Performances Regulations 1995, regulations 1-4, 27-36
Copyright and Related Rights Regulations 1996, regulations 1-4, 25-27, 30-34
Copyright and Related Rights Regulations 2003, regulations 1-3, 30-35, 40
Performances (Moral Rights etc) Regulations 2006, regulations 1-3, 8
Intellectual Property (Enforcement) Regulations 2006, regulations 1-3
Copyright and Performances (Application to Other Countries) Order 2008, articles 1, 6-7, Schedule
Appendix 3
Council Directive 93/83/EEC, recitals (1)-(29), Articles 1-4, 6, 8-10
Council and Parliament Directive 2001/29/EC, recitals (1)-(45), (58)-(61), Articles 1-5, 8-12
Council and Parliament Directive 2004/48/EC, recitals (1)-(27), (32), Articles 1-15
Council and Parliament Directive 2006/115/EC, recitals (1)-(13), (15)-(17), Articles 1-3, 5, 7-12
Council and Parliament Directive 2006/116/EC, recitals (1)-(12), (15), (17), (19), (22)-(25), Articles 3, 7-10
Appendix 4
Rome Convention 1961, Articles 1-9, 11-12, 14-22, 33
TRIP's: preamble, Articles 1-8, 14, 70-72
WIPO Performances and Phonograms Treaty, preamble, Articles 1-10, 15-23, 32, Addenda
EC Treaty: Articles 12, 28-30, 81-82
EEA Agreement: Article 1, Protocol 28, Articles 1, 2, 5

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