Item type | Current library | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|
BOOKs | National Law School | 341.486 CHA (Browse shelf(Opens below)) | Available | 36543 |
Includes bibliographical references (pages 285-299) and index.
Table of contents
Acknowledgements
Introduction:
The Refugee Woman from East Bengal
Chapter 1:
The Problematic: 'Woman' as a Metaphor for the Nation
Chapter 2:
Violence of the Metaphor: Jyotirmoyee Devi's Epar Ganga, Opar Ganga
(The River Churning)
Chapter 3:
A Critique of Metaphor-making: Ritwik Ghatak's Meghe Dhaka Tara
(Cloud-capped Star)
Chapter 4:
Woman as Political Subject, Women in Collectives: Sabitri Roy's Swaralipi (The Notations)
Conclusion
Bibliography
Index
The Refugee Woman' explores the Partition of Bengal in 1947, in its relationship to gender, by innovatively engaging with the cultural imagination of the displaced refugee woman in West Bengal. This work reads the above figure critically in order to trace the shifting meanings of 'woman' in Bengal in the middle decades of the twentieth century. 00Paulomi Chakraborty closely examines three significant Partition texts from West Bengal, Ritwik Ghatak's Meghe Dhaka Tara, Jyotirmoyee Devi's Epar Ganga, Opar Ganga, and Sabitri Roy's Swaralipi, situating them against a broad and densely sketched context in conversation with cultural debates and contemporary feminist scholarship, to trace a radical potential in the figuration of the refugee woman. She argues that this figure, animated by the history of the political left and refugee movements and shaped by powerful cultural narratives, can contest and reconstitute the very political imagination of 'woman' that has been shaped by the long history of dominant cultural nationalism. 00'The Refugee Woman' makes an important contribution to the scholarship on gender and the Partition by attending to the less examined case of Bengal. Its detailed account also elucidates the nationalist, communal, and Marxist gender politics of a key period in post-Independence Bengal.
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