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National identity in Indian popular cinema, 1947-1987 / Sumita S. Chakravarty.
Series: Texas film studies seriesPublication details: Austin : University of Texas Press, 1993.Edition: 1st edDescription: 341 p. : ill. ; 24 cmISBN:- 9780292711563 (paperback)
- 9780292789852 (EPub)
- 302.23Â 20
- PN1993.5.I8Â C48 1993
Contents:
Acknowledgments -
Introduction -
1. Culture/Nation: Reclaiming the Past -
Part One. The Early Years Of Nationhood -
2. The Film Industry and the State: The Dynamics of Cultural Legitimation -
3. National Identity and the Realist Aesthetic -
4. New Uses of the Romantic-Mythic Tradition -
5. The Recuperation of History and Memory -
Part Two. The Sixties And Beyond -
6. The National-Heroic Image: Masculinity and Masquerade -
7. The Authenticity Debate: Take Two -
8. Woman and the Burden of Postcoloniality: The Courtesan Film Genre -
Conclusion -
Notes -
Selected Bibliography -
Index.
| Item type | Current library | Shelving location | Call number | Materials specified | Status | Notes | Barcode | |
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BOOKs
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National Law School | General Stacks | 302.23 CHA (Browse shelf(Opens below)) | PB | Available | Recommended by Ms. Sonia Ghalian | 39775 |
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| 302.1 HAN The burnout society / | 302.140954 AHM On communalism and globalization : offensives of the far right / | 302.2244 WOL Tales of literacy for the 21st century | 302.23 CHA National identity in Indian popular cinema, 1947-1987 / | 302.23 RUK Whole Numbers and Half Truths : | 302.23 RUK-2 Whole Numbers and Half Truths : | 302.23 RUK-3 Whole Numbers and Half Truths : |
Includes bibliographical references (p. 325-333) and index.
Acknowledgments -
Introduction -
1. Culture/Nation: Reclaiming the Past -
Part One. The Early Years Of Nationhood -
2. The Film Industry and the State: The Dynamics of Cultural Legitimation -
3. National Identity and the Realist Aesthetic -
4. New Uses of the Romantic-Mythic Tradition -
5. The Recuperation of History and Memory -
Part Two. The Sixties And Beyond -
6. The National-Heroic Image: Masculinity and Masquerade -
7. The Authenticity Debate: Take Two -
8. Woman and the Burden of Postcoloniality: The Courtesan Film Genre -
Conclusion -
Notes -
Selected Bibliography -
Index.
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