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Plunder? : How Museums Got Their Treasures / Justin M. Jacobs

By: Publication details: London Reaktion Books 2025Description: 216 p. 18 cmISBN:
  • 9781836391081 (Paperback)
Subject(s): DDC classification:
  • 069.5
Contents:
Introduction - Chapter 1: Presents and Plunder - Chapter 2: Dealers - Chapter 3: Excavations and Expeditions - Conclusion - References - Select - Bibliography - Acknowledgements - Photo Acknowledgements - Index.
Summary: A riposte to the widely accepted belief that museum collections are illegitimately acquired. In this thought-provoking work, historian Justin M. Jacobs challenges the widely accepted belief that many of Western museums’ treasures were acquired by imperialist plunder and theft. His account re-examines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artefacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative that may lead to hope and promise for a brighter, more equitable future.
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Item type Current library Shelving location Call number Materials specified Status Notes Barcode
BOOKs National Law School New Arrival - Display Area 069.5 JAC (Browse shelf(Opens below)) PB Not For Loan Recommended by Mr. Kunal Ambasta 40447

Introduction -
Chapter 1: Presents and Plunder -
Chapter 2: Dealers -
Chapter 3: Excavations and Expeditions -
Conclusion -
References -
Select -
Bibliography -
Acknowledgements -
Photo Acknowledgements -
Index.

A riposte to the widely accepted belief that museum collections are illegitimately acquired.

In this thought-provoking work, historian Justin M. Jacobs challenges the widely accepted belief that many of Western museums’ treasures were acquired by imperialist plunder and theft. His account re-examines the allegedly immoral provenance of Western collections, advocating for a nuanced understanding of how artefacts reached Western shores. Jacobs examines the perspectives of Chinese, Egyptian and other participants in the global antiquities trade over the past two and a half centuries, revealing that Western collectors were often willingly embraced by locals. This collaborative dynamic, largely ignored by contemporary museum critics, unfolds a narrative that may lead to hope and promise for a brighter, more equitable future.

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