Prologue -
1. Marga, Desi and the Battle of identities -
2. Of Attics and Romantics: Literature and Socialism along the Western Ghats -
3. Art As Life: The Aesthetic Universals of South Canara -
4. Saakshi: Journeys of Self-Discovery -
5. Lost in Translation: Kannada after Boosa -
6. On Conversions, Controversies and Communalism -
7. Spirits of the Past: Lineages of Debt -
8. On Caste, Cultural Activism and Children -
9. The Marxist Library of Mysore -
10. Two Rivers Diverged in a Wood: The Story of Kudremukh -
11. Forests, Conservation and the Ecology of Change -
12. Cultures of Insecurity: Working for the Working Class Coda -
Notes -
Select Bibliography -
Acknowledgements -
Index.

CULTURAL ENQUIRY AND LITERARY EXPLORATION, A HISTORY OF POLITICAL ACTIVISM AND OF SOCIAL AND CULTURAL MOVEMENTS—THIS IS A COMPLEX, NUANCED AND OPEN-MINDED INVESTIGATION INTO MODERN KARNATAKA.
Karnataka is one of India’s most diverse states, as rich in literary and cultural traditions as it is in democratic struggles and political churns. The twentieth century witnessed the birth of a modern Kannada renaissance, accompanied by the emergence of a powerful social conscience. One young man’s desire to explore this vibrant historical backyard, born out of a feeling of being linguistically unmoored, compounded by worries over an increasingly opaque political direction, leads to an ambitious—no, audacious—attempt to unpack the region’s social and cultural histories.
Rama Bhima Soma is an enterprise of translation and rediscovery, packed with stories and conversations. The life and times of legends like Kuvempu and Shivaram Karanth; the fall of Socialism and the rise of the Hindu Right; the intellectual ruminations of U.R. Ananthamurthy, D.R. Nagaraj and M.M. Kalburgi; the wildly popular television serials of T.N. Seetharam and the community-centred one-woman theatre shows of Du Saraswathi; a brief history of Naxalism in Karnataka and glimpses of other complicated legacies of the 1970s’ Left—the book explores a dizzyingly wide sweep of Karnataka’s contemporary history, seeking, above all, to forge new connections and begin fresh conversations.
Marshalling a diverse range of literary and scholarly resources, framed through biographical sketches and immersive reportage, Srikar Raghavan’s genre-bending work of narrative non-fiction reanimates some pivotal moments in the making of modern Karnataka. The result is a sizzling dish of ideas rescued from the deep freeze of historical amnesia. ‌‌‌‌‌‌‌‌